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Recorded live at the Seattle
Mercer Arena and at theaters and clubs across the Northwest, Corday's latest,
Painted Door, is a collection of American and Latin songs and rhythms,
humorous banter and a capella magic.
Painted Door opens with the beautiful
Chilean folksong "Mi Caballo," also including a tender version
of the Mexican standard "La Bamba" and "El Tigre,"
an original song in Portuguese. Corday's amazing vocal percussion shines
on "Didjago" (skipping stones) and her signature piece, "Land
of Sweetness." Playing flamenco and acoustic guitars and the 8-string
jarana from Mexico, Erin is ably accompanied by Joel Litwin on vocals,
briefcase, floor tom and frame drum. Special guest Pliny Keep contributes
the mouth trumpet and vocal percussion on "Long Hair." "Who
Says" boasts Erin's trademark hypnotic, flowing guitar style. "Wicked
Road" enters a realm of incantation, startling to hear captured on
tape.
"Lots of images - ships, sailing to
a distant shore, the edge of the world. Except that the edge of this world
is far more dangerous -- you really can slip right off into oblivion. I
think crazy people are the "acceptable losses" of our culture
-- the inevitable result when beauty and sensuality are buried beneath
progress, success, money etc." - Erin Corday
"Painter's Eye," portrays the
unyielding courage of imprisoned Vietnamese artist Dai Giang. "Only"
sets a meditational mood, where simple words leave open meanings. "Street"
and "Rock-a-bye" are rough snapshots of humanity threatened by
violence. "Camel Walk" is an instrumental in 5/4 time; Sting's
"Fragil" is sung in Portuguese. "On the Seven" renders
a bus ride as a magical journey.
On Secret About the World Erin plays
acoustic & classical guitars, keyboard, pennywhistles, and bamboo flute.
Joel Litwin plays drum kit, percussion, and shares backing vocal credits
with Brian Buller. Paul Benoit plays acoustic lead guitar, Cary Black and
Scot VanderVelde play bass.
"Erin Corday plays with a rhythm that
demands movement and sings with a voice that holds the secrets of the world."
- Cheshire Press Alternative Best
"Corday's music is at once personal
and political, powerful and fragile, fierce and tender... she treats the
guitar at times like a drum, at other times like a koto, even a mbira."
- Bob Redmond, KBCS, Bellevue, WA
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